Scion of the Sucrose Kid

Abe Wasserman graduated from CCNY on a rainy early June day in 1986 with an undergraduate degree in economics. He never made the Dean’s List for superior academic achievement in a semester, a fact mentioned by his mother during the graduation lunch at the Stage Deli, but Abe was by then inured to his mother’s cruel honesty. After losing his job selling sporting goods at his uncle’s store in Rockefeller Center by reason of his unwillingness to tout the virtues of the $75 sneakers which he knew were Mexican knock-offs, Abe applied for and failed to land any employment while suffering the escalating sarcasms of his mother. Unable to afford to move out of the family apartment on the Grand Concourse, Abe finally took a position as assistant vice president of sales at the lower Manhattan stock brokerage firm of Carrington and Sons. His first day of work consisted of a brief interview with the senior Carrington, aka Hyman Ginsberg of the Bensonhurst Ginsbergs, who explained that Abe would start in the marketing department of Carrington and Sons under the tutelage of the estimable star salesman known in the firm as the Sucrose Kid.

The Sucrose Kid turned out to be an Italian guy from Staten Island. He weighed in something North of 300 pounds, smoked unfiltered Camels one after another, ate incessantly at his desk with the residue dropping off his fingers and untrimmed beard onto his plaid short-sleeved shirt, and his armpits smelled like fish heads rotting on a pier. Abe sat as close as he dared and did as he was told: listen to the phone calls on the extra phone, and do not, repeat absolutely do not, speak a single word.

The Kid was one of eight or ten senior vice presidents in what was called the sales floor of the brokerage house. Each spent the day cold-calling potential customers they did not know. Their pitch was always the same, based on a typed laminated card issued by the firm and propped up on each desk. Each call was placed to a name off a list given by the firm to each person at the start of each day. The calls began around 10 in the morning, New York being a late-starting city. The lists were prepared by “researchers” and consisted of membership lists of bar associations, large law or accounting firms, members of city clubs from directories taken off the desks of receptionists, members of the Chambers of Commerce purchased at four cents a name from the organizations and, when times were hard, pages of the phone book for identified postal zip codes which suggested affluence.

Whatever unsavory aspects possessed by the Kid, once his prospect picked up the phone the Kid was as smooth as he could be. Could that guy ever talk the talk. He was so sweet, so ingratiating on the phone, that he earned his moniker as the Sucrose Kid.

Now most of the vice presidents of varying seniority, working the bucket shop phone banks, followed the pitch on the card pretty closely. It was the tried and true way to build your book, the best way to ultimately make a cold call into a customer willing to designate you as his stock broker.

And all the people on the lists were always men; women were simply skipped over, although whether because they were presumed broke or because they were simply assumed to be someone’s secretary was not quite clear. Not that there were that many women to begin with….

The card left little to the imagination; the mantra of the firm was “trust the card, it isn’t hard.” Just do what the card says. Sure, 98% of the people you call will decline, most will just hang up, others will tell you that they were going to call the police, a surprising number yelled that they were going to report you to the FBI or the SEC or the US attorney. A few would lead you on, suggest they had only $100,00 to invest but what did you have in mind. Others would curse at you or, worse, ask you to call back later because you had called at an inopportune time seeing as how they were at that very moment engaged in sexual intercourse with your sister.

And there were slack times, many slack times. Lunches for many of the alleged upper crust prospects stretched for a couple of hours. Around 11 am or 5:30 pm were bad times as people might not have meetings but were anxious to get primed for lunch or for the subway home. Doctors were impossible in the mornings, doing rounds. CPAs were inaccessible from March 1 through mid-April. Lawyers you could never tell, but that’s life.

The card was so often used, in one or another variants, that it was amazing that people getting cold called all the time by boiler room brokers did not just hang up after the first five or ten words. And many did, but some listened and some small percentage got hooked; the theory was that the more calls you make, the better your chances of getting a sale. The card read:

“Good [morning/afternoon/evening, Mr _________. I won’t take more than a minute of your time, I know you are busy. This is NOT a sales call, I’m not selling you anything. Just wanted to chat with you, _____[try first name] – can I call you _________[first name]? Thanks.
So, [first name], we at Carrington follow a lot of stocks and every once in a while we see what we think is a great opportunity to get in on the ground floor of a really good situation. We keep our eye on the market, and we have our special sources, if you know what I mean. Well, I just wanted your permission, if we happened to see some special opportunity, something that we think is in your sweet spot, just right for your portfolio, in say a month or two, I just wanted to ask if it would be all right to just call you and share that opportunity with you. No obligation of course. Is that okay with you?
[If yes, follow up] That’s great, _____[first name]. Just to be sure I don’t waste your time, let me confirm your stock interests. Tell us again the kinds of investments you have made and how they are doing. [Make note of answers]
[If caller seems nervous about giving you the information] Oh look, as your broker whatever you tell me is confidential, we here at Carrington have been representing some of the wealthiest people in New York, of course I cannot reveal the names of our clients, but here at Carrington discretion is the better part of valor if you know what I mean.
Well, it has been a pleasure talking with you. Now you may not hear from us for a few weeks, maybe longer, but just wanted to introduce our firm and establish a brokerage relationship with you. Thanks for your time and best regards to your wife, uh, sorry her name is ??? [pause, record name of wife on prospect card].”

In the background, Abe could hear all the other vice presidents pretty much adhering to the script, but the Sucrose Kid didn’t really stay strictly to what it said on the card. And he varied his pitch, right from the start, not based on anything about the customer’s information, but just, as he said, to “keep it fresh.” He might start with a “look, I wanted to talk to you but my phone is ringing off the hook so I gottta make this quick,” or with a “your friend told me to call you and any friend of your friend is a friend of mine.” Or he might simply say, “look, my stock brokerage firm tells me to chat you up and try to sell you something, but we are busy men and ought to get right down to business.” Once he started with “didn’t I meet you a couple of weeks ago, you know, was it the Yankees game, your name is so familiar.” Usually he would switch to the “I’ll call you later” script but sometimes, if he felt the love, he’d just go right for it: “Look I have only 450 shares of XYZ Corporation in my allocation, and I thought of you and wasn’t sure but you seem like a nice guy so just tell me how many shares and I’ll put you on the line with someone from my staff to get your details, set you right up.”

But it wasn’t all about the pitch, it was something about the Kid’s tone, the sincerity pouring off his lips, oozing into the mouthpiece of his cradled black handset, dripping palpably through the wire and dropping ever so smoothly and sweetly into his listener’s ears that caught Abe’s imagination. “He’s making love to someone he doesn’t even know and he is going to be rewarded with riches and thankfulness,” Abe thought. He couldn’t wait to get onto his own telephone and try it himself. Sure, he’d follow the card, the tried and true card, but every so often he’d segue into the Sucrose Space, take his own love of humanity and way with words out for a walk and see what he could do with them. Carrington and Sons was going to be fun and, given his aptitude and his degree in economics, his path to a future of wealth and power.

But Abe was made to sit for another four days, an entire week, just listening to the Kid, and occasionally overhearing the pitches of neighboring vice presidents, before he was cleared the next week to pick up the phone himself. He was shown to his own small cubicle and given a forty page list of names and phone numbers with no other information. He was given his own laminated card with the pitch printed on it in 18 point type. He was given a small pile of prospect cards to record the details from his successful conversations. He was given a pad of white lined paper, two ballpoint pens emblazoned with the words CARRINGTON AND SONS – BROKERAGE AND ARBITRAGE, a small thermos full of black coffee, and an encouraging smile from the Senior Carrington, who left him with a light pat on his shoulder and the semi-cryptic admonition to “stock ‘em up.”

FIRST CALL: “Good morning, Mr. Sperling. My name is Abraham Carter. I won’t take a lot of your time, I know you’re a busy man, but I just wanted to introduce myself and my firm. That’s Carrington and Sons, we are securities brokers and right off I want to tell you that I am not calling to sell you anything.” The light was still lit, Sperling hadn’t hung up, a good sign. Emboldened: “You probably heard of us, we represent many people of means in Manhattan.” Sounding good. “You probably know that we follow the market pretty closely, are well known traders,” off into a riff of fancy, “and I just wanted to let you know that we would like to be able to call you in a few months if we happen to come across a special situation that…”

“Hold up, there, let me save you some time. First, I live in the Bronx. Second, I don’t have a pot to piss in ever since my bitch wife ran away with the Kosher butcher. Third, my uncle went to school with that crook Ginsberg, the goniff, and if he were selling real dollar bills for ten cents on the street corner I’d still not do business with that shithead on a bet. And you can tell him something else for me: eat hot death for what you did to my aunt Sylvia—may she rest in peace.” Click.

SECOND CALL: Well that didn’t go so well but who knew that he’d start by accident with someone who actually knew the Ginsberg family. What the hell is the chance of that? So, “good morning, Mr. DiCarlo, you don’t know me but I” followed by an interruption by a reedy voice with a thick Italian accent saying “Yeah and we gonna keep it that way, muthafukka.” Click.

THIRD CALL: Must have gotten up with a bad case of the crabs, that Italian asshole. But third time’s the charm: “Good morning, Mr. Liebowitz, my name is Abe Goldfarb and I represent the firm of … “ Click. Huh, imagine that, I seem to be trending downward. Let me take a hit from the coffee thermos and try again.

FOURTH THROUGH UPTEENTH CALL FIRST, SECOND, THIRD, FOURTH DAY OF CALLS: “Good morning Mr. so-and-so (49 clicks here), I represent the stock brokerage firm of Carrington and (25 clicks here) Sons (2 clicks) and first off I want to assure you that I am not here to sell you anything (3 clicks, 14 “bullshit”s followed by clicks, 6 “fuck you”s followed by clicks). You may know that our prestigious stock brokerage firm is a well-known market leader with [an ear for that hidden situation that presents the opportunity for profit –4 clicks][an eye for an inefficiency in the markets that might fit perfectly in your portfolio [12 clicks, one “or up your ass” followed by, well, a click] [ability to earn returns in rising or falling markets [33 clicks] and I just wanted permission to call you some time in the next [couple of weeks (12 clicks)][couple of months ( 3 clicks)] [few hours (75 clicks and one “make that at least five hours, I am working my way through statutory rape of all your nieces and nephews” followed by—you guessed it—click].

Abe came into the office early on his fifth day. He looked like hell but it didn’t matter, he did all his business over the phone (or at least pretended he did). The rings under his eyes, red after the third day, now were a palpable field of black tinged with blood-shot. He uncapped his CARRINGTON pen for the first time, took his blank pad of paper and started writing. He wrote and crossed out threw out page after page until he found the right tone, part frustration and part motherly anger.

FIRST CALL, DAY FIVE: “Good morning, Mr. Fisher. This is a cold call from a boiler shop in a second-rate brokerage house that, if I started off by telling you its name, you might look it up and hang up right away. I am supposed to say I ain’t trying to sell you anything but I hear you ain’t a dumb shmuck so let me say right up front that that’s a crock.” Pause. Silence on the line, but no click. “Uh, Mr. Fisher, you still there?” “Yeah, kid, I love it, ya got my attention. So where ya from anyway?” “Uh the Grand Concourse. That’s in the Bronx.” “I know where the fucking Grand Concourse is, you dick. You new at this?” “Yessir. This is my fifth day and I haven’t had a sale yet, not even writing down someone’s name to call them later.” “You go to college, kid?” “Yessir. CCNY.” “Huh! Me too, class of ‘50 .” Long pause. Then Fisher: “So, let’s hear your pitch.”

“Really?”

“Sure.”

“Well, I’m supposed to wait a couple of weeks and call you up and sell you some stock from this list they gave me.”

“So, do you like these stocks, kid?”

“Well, Mr. Fisher, I’m new at this but I did earn solid Bs in all my accounting classes and frankly, between you and me, I really don’t understand why anyone would buy them. I mean most of the people here they just follow the list, but I spent all last night looking up these companies and my guess is that the firm is just going to sell out their own shares at a profit and then these companies, well I bet they just go down in value.”

“Kid, you free for lunch today?”

“What? Lunch? Are you kidding? Uh, sure. Why?”

“Come to my office at 1, make that 1:30. Bring that list of stocks with ya. 455 Madison, 16th floor. Fisher Universal Industries. Just ask for me. Give me your name so my receptionist will know you to let you in.”

“Sure. My name is John – uh, actually Abe Wasserman.”

“So, Abe Wasserman, do you know what a short sale is?”

“Well, I’ve heard of it, Mr. Fisher.”

Fisher laughed. “Just be here at 1:30 today. And don’t forget your list. That’s the 16th floor, the executive suite. Don’t get off at the lower floors, that’s where my staff works. At least those I have here in the US. Just ask for Fisher Senior. My son wants my job as President, but that isn’t happening any time soon….”

* * * * * * * * * * * * * *

Lyndon Fong graduated first in his class at Northwestern Business School on a rainy early June day in 2014. He had read all the listings for the major brokerage houses, and had set his sights at one of them. He had applied and was fortunate enough to be hired. He was told he would start on the marketing floor, but you had to start somewhere. After four weeks of personal and on-line training, Lyndon was given a cubicle, two phone lines, two computers with one locked on Bloomberg, a Kuerig machine with an assortment of caffeinated coffees, an I-Pad and a list of graduates from Ivy League colleges resident in the greater Chicago area. Flush with excitement, Lyndon picked up his phone, ignoring the hum of the other assistant vice president around him.

FIRST CALL: “Good morning, sir. My name is Lyndon Fong. First off, let me assure you that I am not calling to try to sell you anything. I am a Vice President at the Wall Street firm of A. Wasserman and…. Yes, THAT Mr. Wasserman, and I am calling to introduce myself and our firm…..”

Cold Wet Night

Dark ascending hardened hours
Climb the twisted stairs of night,
Recoil and wrap the trees and bowers
With chill of evil, mist of fright.
While in the caves of hot desire
The animals of lust retreat
And bank the passions of their fire
And pick dry bones for scraps to eat.

Dawn in the Hills

Now
High in the hills
(Then)
Below
I (we) awoke to the promise:
Dead as stone
Sere as bone
Left our home
To fight the day

Wind of fire
Drove us higher
On our pyre
Of molten clay

Where IS the promise?
Taken from us.
Loss of hubris…
Who can say?

I’ll Tell You How It Is

I’ll tell you how it is
When you sit down at the table
To write it out
Plain black and white,
How it is/was/can be—
Not so easy to do, you know
But I’ve got to try
At least a bit
(maybe sneak up on it unaware…).

In the Spring
–1962—
Standing on a beach
Kicking holes in the sand,
A small human mark
Erased by wind and water
Once I am gone.
Kept coming back
All that Spring,
Stood on that very same spot
Kickin’ kickin’ kickin’
But I could not make it stick
Against the air and the tide.

One Sunday
February 1970
Couldn’t sleep
Early in the morning
Breath on the air in hanging wisps
Crunching down the street
Shaking snow off bushes
Looking for the starting buds
Of flowers,
Watching all the flakes sift down
And lose themselves against the carpet’s white.

Flat on my back 1976
Sweating curls and streams
Beads and humours
Forcing myself to trace the ceiling cracks
In the yellowing corners
Lights in patterns through the slats
Bugs crawling on the edges
Dripping into my water glass
Floating to death at dawn.
By the time the phone rang, I’d gone out.

Drew a picture
On a store ad in the subway 1980
Reaching up, balancing on the plastic seat
Hanging onto the ring at the steps.
All the kids pointed
Giggling
Sniggering perhaps;
Don’t understand
Why someone with a briefcase
Would paint a skyline
With a felt-tip pen.

Last winter in Colorado 1990
Tried to drive my body
Through the abdomen
Of a woman
Half my age.
Ran my tongue from her toes
To her earlobes,
Breathing in short gasps
Whispering promises
Dreaming sinuous climaxes
Pretending I didn’t hear her laugh.
She went back to San Diego
And gave me a phone number for when I’m out that way.

Wore a baseball cap last night
In a bar in Tampa 2002
Full of fishermen
Drinking beer, ate some jerky,
Sleeve of saltines,
Switched to bourbon no ice
And looked at my leather face in the mirror.
Ignoring the women/cops/hangers-on
Bought no one a drink
And belched into my water chaser.

2016 can’t remember the important things.
Can’t remember very much at all.
Just a few vignettes
Gray hints really.
Go to the table
Try to think of what to write
Record and leave
For nameless to read.
Once I almost got it all in mind
But by the time I reached for a pen,
Smoothed the paper
Lined up the pen
Arranged my light and chair,
I forgot and went to sleep instead.

That’s what this is, then.
It’s all here, you know.
I wrote it down for you.
Don’t miss it now:
Reread the lines.
Everything I ever thought
Or felt
Is there as clear as I can make it.
Do you see yourself as sand, or drifting snow?
A ceiling crack?
Graffiti on walls of time?
Naked women?
Sour mash bourbon?
All of them?
Of course you do.

If I don’t wake
Mark these lines well:
Nothing’s at stake,
See you in hell.

(written 1970-2016)

A Life

On the Road:

Saw a man without any shoes
Smoking a cigar butt
And drinking a pint.
We lit a fire
And shared some soup.
Woke up in the morning—my shoes were gone.
Hitched to Utica, gray city in smog.
Cooking hash, two buck an hour
And all the grilled cheese I can eat.

In the City:

Back to the city,
All the guys are gone
One way or another.
Loaded some boxes, sold a few
To some bums in a panel truck, COD.
Met a Mary. Met a Louise.
Found a good bar in my neighborhood
With a neon Schlitz sign in the window
And got semi-drunk some nights.

Family Man:

Adele was Italian
And her brother was best man.
Hadn’t been in any Church for quite some time.
My old man came –
Brown coat, gray pants.
Don’t know where my mother went,
Years ago—smart.
Old man’s no bargain
And went right back to Passaic.

Subway Life:

Went to work with a bucket
On the IRT
And bought curtains on sale at Altmans.
Hung them crooked, best I could.
Laid off. Rehired. Quit/fired.
Two snotty kids and 35.
Atlantic City for two weeks
On the HFC.
Can’t pay’em so fuck’em.

At the Zoo:

One day in March
We all went to the zoo.
Animals all right, strolling in the cold.
All trapped up
And getting fat.
Back and forth in their cages
Looking at nothing;
Only thing missing,
Got no bucket for their lunch.

The Road:

Sixty miles west of Dubuque
In the drizzle,
April 1976,
No friggin’ asshole
Will stop for a guy with a two-day beard
And a soft-side suitcase.
Slept in a doorway
Of an Exxon station
And stole a Coke for breakfast.

Try Again:

In San Francisco
You can see the ocean
Down by the rocks
Drinking bourbon.
Easy city.
Work the grille for pocket money
And croak a fag
When you’re running short
For the rent.

Over my Rainbow:

One day walking East,
Going home
With nowhere else to go,
On the side of the Interstate,
Morning sun in my eyes,
Boots shrunk tight from the rain, I thought it all over
And moved to the left a bit
And let the fucking semi take me down.

August 15, 1986/ 8PM

We are beating out familiar shapes, you and me.
It is not new ground, you know,
Even for ourselves,
But
Inept
Unsure
And the going quite slow.

And there are hammers,
Many hammers
Wielded by deliberate arms dripping sweat.
Our champions do battle—
Words,
Lines we did not write
Leading to confusions we did not intend,
Delusions
And the clatter-shock of steel on steel,
Sparks in the barn-dark of our minds.

If we could understand—
But everything is “ifs”
After all
And “ifs” are funny things.

You have your hammer when you’re angry.
So do I.
We each recognize our own……
But that one only.
The rest are swung, unnoticed, unremarked
In the dark
Off the mark.

And so how does it happen,
That rapid beating of steel,
The noise and concentration
Just to build a simple shape
So easy to conceive?
I do not know
But there is one very simple thing:
Somewhere, anvils ring.

Leaving You: A Poem in the Form of a Letter

I’ve written many letters to you in the form of a poem. May I write you a poem in the form of a letter?

I want to try to say goodbye as sweetly as I tried to say hello to you. This is not an easy thing, because I do not want to do it. You might say that my heart is not in it.

Strangely, I almost want to delay on purpose because this quick reply may be taken as a sign that I welcome the result, relieved by it; that I quickly embrace it before it is taken back. I conclude that such is not the case. I hope you believe this and I trust that you will—just because I ask you to do so, while promising to you that what I say is true.

Rather, I want to seize my present and seemingly clear perception, and act upon it before I am once again confused.

The problem of course is that the issues are (always were) clear; only self-proclaimed “smart” people could invent enough to bury that clarity for so long. You correctly (at last) articulated the options. Only one of these is acceptable to me. This result is inevitable, as it turns out, as neither of us is cut out to absorb much more of this.

The game is over because I won’t leave bad enough alone. You must not blame me for this; I don’t blame you. (Can I divert blame by saying that?) I love you for all of it. Part of what I love you for is this pain I now abjure.

Did not one of us say that this night will be remembered for a long time? Something like that—you know that my memory for the pieces constituting passing hurt is shallow, the detail of those things I do not remember very well.

You once said we really should get to know each other and be friends. I want to do that, make that deal. Sometimes I think I can do that. Then I sometimes think you can. Then I think that you cannot. Then I stop thinking, to not reconsider my own ability to be reminded of the bad and call it good.

Maybe it’s all about me. All in my head.

I love you. Or did for a very long time, and I am sure that I will again, in that same old-longtime way.

Gently.

Just with a smile.

And a distant admiration.

It’s not that you didn’t love enough.

It’s not that I didn’t love enough.

It’s just that I can’t write poems without the “I” in them.

And I still have trouble, leaving it all behind.

The smug in me wants to riff on the movies,

Say something sardonic,

Call myself Jake and tell my self to let it all go,

To fade out thinking its only Chinatown….

(1986)

A Conversation with Frank Sinatra

I am talking here with Frank Sinatra.
He is talking through songs.
I am reliving all the wrongs.
I know he understands.
It was a game and I thought I made up the rules,
Long time ago, crying at night,
While in the next room
My parents fought the same battle
I’m fighting now.
And no one won
Because no one can.
It’s dug into my mind; I can’t help it.
She doesn’t understand but
You are my Christ, you bleed for me,
I kiss your stigmata and the blood is mine.
Her wet flesh cannot buy me,
My mind aches more than my body
For the fear of doing it her way hurts more than the thought of parting.
I need her, Lord,
To cross the Jordan alone
In the dark of night
Is the widest voyage of all,
For if she will not love me
Across the spreading light
Then sing me a song and let me cry.
I can explain it in reason if
Explain it I must but
I don’t want to explain:
I want it so, in childish impatience
And I refuse that it should not be so.
If you love me you will understand.
That is what love is:
To understand when there are no reasons.
I cannot stand on shifting rock and be chastised for it.
I can stand or I can be chastised
But not both.
There were nights my body twisted
(long ago between dark blue walls in an old Brownstone in stinking Brooklyn—
The smell of gutters in summer
And some rummy pissing in the alley)
When your guts jump out of your throat
Every time someone yells
Or throws a pot
Or curses
Or insinuates
Or challenges—
You can’t erase the feeling
(never erase it)
Blasting out of your belly til you cannot sleep any more
Soaking your sheets, shirt pasted cold and dripping to your chest
And the milk truck rattles through the dawn and you crawl out of bed without sleeping.
Won’t spend another night waiting
To hear
What will be said,
And me to smooth it over
Bridging broad chasms between word and world.
Nerve endings don’t heal, they burn over memories you cannot suppress.
She does not understand
That I am a child of pain.
I fear it more than not having her.
Out walking at dawn
And the first dumb bird presages more blind sunshine
To blur years of anger,
Acres of fatigue,
Miles of not caring or caring too much.
Sing them the truth if you will; tell them for me:
Today is like yesterday only it hurts more
Because there is one more scar.
I will walk down by the river and,
If no one can see me
I will cry a little
And sit on a bench and feel sorry for myself.

Drive He Said

Driving down a center line
With smell of gasoline.
Nothing lost but drops of time
With nothing in between.

Roadsigns order me around
While lost in my own dreams.
Never going to get me found
In shining headlight beams.

Drifting shifting, haul my load
Like blowing sand, I know.
I’m driving down a black-top road,
Sweating as I go.

Goddamned Hammer

Why am I suspended?
Why cannot I register?

Is there a god
Who keeps the scroll,
Marks the toll,
Those who move and matter,
Those who drift and die?

Function is all that occupies,
Stultifies…

Watch me work
The mechanical steps
Taps on a stage
No time for rage
Just tap and age.

If only I could identify it
Then I would rectify it
Moving towards it
In it
Costless
Meaning great meanings but
The day to day
In its way
Is all there is.

Functions functions never matter but those who do it flatter flatter
Creating values so perverse
Or even worse
Counting down
Til darkness squelches
Earth worm belches
Ending thus all of us,
Those of us who function function.

One two three
Four five six.

Auction—
All the well-dressed men and ladies
Watch the calling, falling hammer
Too polite to object or halt it
Never sweat, never stammer
Falling falling goddamned hammer
Rat-a-tat its final song of
Going going going gone.

[ending couplet follows]

RIP the very essential me,
Too caught up to ever stop and be.